2010 Shammy Awards

Like most intelligent fans, I truly abhor the Grammy Awards because, more and more, they have really just been turning into the American Music Awards. You know, the one where record sales determine your worth. Well, that's just horsecrap. America has proven over and over that it has no idea what's good for them, so an award based solely on their opinion is foolhardy.

Being as the major awards hold absolutely no interest to me, I would like to throw my support toward Beyoncé. Not just because she's extremely beautiful but I actually do find her to be very talented and far less annoying than any of the other "artists" in every category she is nominated. And I actually did really enjoy her last album. So, sweep 'em, B.

As for some other categories, the following would win if there's a God:

Hard Rock Performance: "Check My Brain," Alice In Chains
Heavy Metal Performance: "Head Crusher," Megadeth
Best Alternative Album: It's Blitz! - Yeah Yeah Yeahs
Best Contemporary Folk Album: Middle Cyclone - Neko Case
Best Comedy Album: My Weakness Is Strong - Patton Oswalt

Every other category contains artists or styles I know little or nothing about, artists or styles I don't like, or complete abominations (I'm looking at you, Rock and Rap categories).

So, if you are going to watch this clown college a week from today, don't tell me about it. I don't care who won what? how long Bono went on about Haiti? how much Lady Gaga reminds you Marilyn Manson? Keep it to yourself.

Spoon - Transference

Spoon

Transference
Merge
LP/CD

As this if the first review of new music this year, I wish I could say we were starting out on a better foot here. But even as much of a Spoon fan as I am not really, there is very little here to rope the casual fan in. Fans listening for "The Way We Get By," or "You Got Yr. Cherry Bomb," are going to be sorely disappointed. Britt Daniel's songwriting strengths have always been rooted in pop prowess. That is largely absent here.

There is not very much on Transference to get excited about. The title itself implies that fans will listen to this and just love it anyway, based on past enjoyment. Since I am not a diehard fan of Spoon's, that ploy has no effect on my judgment. Outside of the single, "Got Nuffin'", I have a hard time trying to find a song I would ever want to hear again. Who knows? Maybe in 20 years, I will view this as music historians have viewed Lou Reed's Berlin or (film buffs see Blade Runner) as classics before their time. As for right now, this reminds me of U2's No Line On The Horizon: an album by a band resting on their laurels and being loved for it, probably because the American public identifies with their laziness or just doesn't know any better.

Track Grades:

1. Before Destruction - 5.7
2. Is Love Forever - 6.4
3. The Mystery Zone - 6.6
4. Who Makes Your Money - 6.2
5. Written In Reverse - 6.8
6. I Saw The Light - 4.4
7. Trouble Comes Running - 6.7
8. Goodnight Laura - 6.0
9. Out Go The Lights - 6.6
10. Got Nuffin - 7.5
11. Nobody Gets Me But You - 5.8

Overall Grade = 6.25

Jay Reatard 5/1/80 - 1/13/10

Indie rock has lost its hero. Over the past decade plus, Jimmy Lee Lindsey pushed the boundaries of punk rock. In the process, he made some amazing records. At only age 29, Jay Reatard had already amassed quite a prolific portfolio of albums, singles, and ex-bandmates. Everyone knows about his volatility when it came to bandmates as well as meddlesome fans. What could be called anger issues could also be considered defending his art. He did not suffer mediocrity lightly. His perfectionism and talent shown through more with every effort. He was simply the indie artist of the decade.

His work with the Reatards was limited but extremely fun and enjoyable. The Lost Sounds were a great experiment. The Final Solutions, Bad Times, Terror Visions, and Destruction Unit were all fine diversions that really just served as a filter that Jay sang through. With only two full length albums and a slew of singles, Jay was finally coming into his own as a solo artist. Blood Visions is a truly great album but the singles collections showed a different side of the Reatard. One of the truly saddest parts of his death is that he was so hardworking and that is how he became great. He experimented with his music for 11 years and was reaching his creative apex. And he was still only 29 years old. I'm a year older than him and I don't know that I've had as many original ideas as he had songs. But if Watch Me Fall is truly the last thing we ever hear from this brilliant artist, there are worse epitaphs.

Here is the last track off of Watch Me Fall, "A Whisper"

Quarter Century Review: New Day Rising

This is going to be a new segment I do on here because I just don't have the time or resources to review every album that is released new and, frankly, I wanted a recurring deal on the site. This is not meant as just reviewing a classic album. That is too obvious. The real meaning of "review" here is to review whether the album has stood the test of time or perhaps become greater over time. I will be doing this 25 years from the original release date for albums throughout the year. So let's begin:

Hüsker Dü
New Day Rising
SST
Produced by Hüsker Dü and Spot

As no one knows the exact day this album was released (a great example of how SST Records did business), we are just going to re-experience this one today. Hüsker Dü came up through the hardcore ranks in the early eighties via Minneapolis. Their extremely loud though equally melodic balance paved the way for other local bands (Replacements, Soul Asylum) to receive mainstream attention. The band would go on to a major label themselves on the strength of their opus Zen Arcade and this, shorter but hardly lesser, gem. This album is really what kept SST Records in business while the band never really saw the proper return off of it.

SST house producer Spot usually seemed to go out of his way to stifle the powerful sounds of the label's roster. In a bit of what I guess was luck, he just sat back and got out of the way to let the band do their thing. At this point in time, the songwriting of Bob Mould and Grant Hart was at its apex. It was less about experimenting, the likes of Zen Arcade, and more about honesty and, perhaps, transparency. The songs are relatable, loud, and loaded with hooks and, unlike their hardcore peers, not angry. They showed that you could have loud and emotional without being cheesy. There is real sentiment but no one would ever confuse Hüsker Dü with Journey. That being said, the album does devolve over the last 4 songs as if they were just filling space, knowing their defection was imminent.

As far as jumping from the storied SST label to Warner Bros., it was about survival. New Day Rising was one of many simultaneous SST releases. And while all the records received the same amount of promotion (none), New Day Rising was the only one selling. Black Flag was in limbo and The Minutemen had lost frontman D. Boon to a tragic car wreck, so Hüsker Dü was, for all intents and purposes, the only SST band. If they wanted to see any return on their hard work, they had to leave. Though they didn't last much longer after their departure, we still have this to remember them by.

Overall Grade=8.53

Mixtape 2009

Here is an interesting (hopefully) mix CD track listing to encapsulate the strange year in music:

1. "Sacred Trickster," Sonic Youth - 2:11
2. "Hindsight," Built To Spill - 3:38
3. "Zero," Yeah Yeah Yeahs - 4:26
4. "Fitz And The Dizzyspells," Andrew Bird - 3:37
5. "Pieces," Dinosaur Jr - 4:32
6. "To Save Me," M. Ward - 3:02
7. "Spellbound," Lacuna Coil - 3:21
8. "Running To The Edge Of The World," Marilyn Manson - 6:26
9. "Bible Black," Heaven & Hell - 6:27
10. "Pharoahs," Neko Case - 3:38
11. "Land Of The Dead," Misfits - 2:13
12. "Train Song," Feist + Ben Gibbard - 3:02
13. "The Palace At 4 A.M.," A.C. Newman - 3:23
14. "Death Threat," My Life With The Thrill Kill Kult - 4:33
15. "Beautiful Things," Quasi - 3:42
16. "Undesirable," Jemina Pearl - 3:20
17. "Non-Entity," Nine Inch Nails - 4:03
18. "The Living North," Cymbals Eat Guitars - 2:32
19. "French Navy," Camera Obscura - 3:18
20. "Lives," The Entrance Band - 4:51
21. "I Have No Fun," Vivian Girls - 1:28
22. "Rotten Mind," Jay Reatard - 2:20
23. "Gentle Sons," The Pains Of Being Pure At Heart - 4:29

Total Time = 79:51