The Fall
This Nation's Saving Grace
Beggars Banquet
Produced by John Leckie
Another album I had some trepidation in bothering with. But part of the point of this recurring feature was giving something a fresh listen to see if time had changed my ears. I certainly liked the short opening of "Mansion," that set a mood that I'm not sure matches with the album other than the musical archetype reprisal with the closer, "To NK Roachment: Yarbles,". The repetitiveness of "Spolit Victorian Child," is not redeemed by its blah instrumental interlude. "L.A.," and "Paint Work," are nice diversions from the Clash-esque guitar string-plucking romp of the majority of the album, which, as time wares on, starts to irritate.
It is difficult to deny the magnetism of frontman Mark E. Smith. His performance on the album is impossible to ignore, if not enjoy. I find that this album is far less annoying than other Fall albums I've heard and deserves multiple, but limited, listens.
Overall Grade = 7.03
Apocalypse
Thursday, July 22, 2010
Friday, July 16, 2010
My Pitchfork Festival Schedule: Because I Know You Care
Though I say it every year, "I'm never going to Pitchfork again", here I go again. I at least drew the line at not going Saturday. Other than Raekwon and Titus Andronicus, I really couldn't care less. As for the rest, these are the must watches:
Friday (I should be arriving as this entry posts):
4:30 El-P, dick around until
7:20 Broken Social Scene
8:30 Modest Mouse
Sunday
1:55 Best Coast
4:15 Lightning Bolt, then rush over to
4:45 Surfer Blood, then lightly jog over to
5:15 St. Vincent
6:15 Major Lazer
7:25 Big Boi
8:30 Pavement
Friday (I should be arriving as this entry posts):
4:30 El-P, dick around until
7:20 Broken Social Scene
8:30 Modest Mouse
Sunday
1:55 Best Coast
4:15 Lightning Bolt, then rush over to
4:45 Surfer Blood, then lightly jog over to
5:15 St. Vincent
6:15 Major Lazer
7:25 Big Boi
8:30 Pavement
Thursday, July 15, 2010
Quarter Century Review: Little Creatures
Talking Heads
Little Creatures
Sire
Produced by Talking Heads
To be honest, I'm not sure why I'm even listening to this in its entirety. I have, on occasion, enjoyed some Talking Heads tunes but the thought of an entire album rubs me the wrong way. There are certain instances where David Byrne's voice is not so irritating (like his 2007 collaboration with Brian Eno) but this album is not it.
Creatures starts off well enough with "And She Was,". There is then the canyon that the album inevitably falls into. It claws its way out for "Stay Up Late," only to slip back down into the deep recesses of pop hell. Early Talking Heads had an edge to it that is largely missing here. The eighties weren't kind to many artists and Byrne and company were not exempt.
Overall Grade = 6.83
Little Creatures
Sire
Produced by Talking Heads
To be honest, I'm not sure why I'm even listening to this in its entirety. I have, on occasion, enjoyed some Talking Heads tunes but the thought of an entire album rubs me the wrong way. There are certain instances where David Byrne's voice is not so irritating (like his 2007 collaboration with Brian Eno) but this album is not it.
Creatures starts off well enough with "And She Was,". There is then the canyon that the album inevitably falls into. It claws its way out for "Stay Up Late," only to slip back down into the deep recesses of pop hell. Early Talking Heads had an edge to it that is largely missing here. The eighties weren't kind to many artists and Byrne and company were not exempt.
Overall Grade = 6.83
Wednesday, July 07, 2010
All-Time Best EPs
The EP is somewhat of a lost art. There are several indie bands like The Pains Of Being Pure At Heart, No Age, and Fucked Up trying to keep it alive. Longer than a single, the name "Extended Play" makes it sound like it should be a really long album. But as albums were "Long Players", I guess the name is fitting. Anyhow, here is the list of my favorite all-time EPs:
Misfits
Bullet
Engineered by Dave Achelis
Plan 9 Records, 1978
The second Misfits release and first to establish the horror punk asthetic they are now known for. With the title track's brutal depiction of the aftermath of JFK's assassination and the chorus to "Attitude", it would be hard not to consider Glenn Danzig a male chauvinist. "We Are 138," is a violent call-to-arms and "Hollywood Babylon," is the first classic to delve into Danzig's fascination with the town. The four tracks were later released on the amazing Static Age comp.
Nine Inch Nails
Broken
Produced by Trent Reznor with Flood
Nothing/TVT Records, 1992
Broken is the most industrial Nine Inch Nails release. The guitars are front and center this time, as is the anger. Like other Reznor penned projects, this one is filled with dejected disenchantment. "Wish," and "Last," are the most aggressively excellent 1-2 punch in the NIN catalog, followed closely two tracks later by "Happiness In Slavery," and "Gave Up,". The two "hidden" covers are also gems. "Physical," can make you believe that Adam Ant was capable of great things and "Suck," would go on to be a live staple.
Mission Of Burma
Signals, Calls, And Marches
Produced by Richard W. Harte
Ace Of Hearts Records, 1981
No EP starts off with a better song than "That's When I Reach For My Revolver,". I have always been a greater fan of Clint Conley songs than Roger Miller songs and "Revolver," is the only Conley contribution on Signals and it outshines every other track. To be fair, Miller followed up that classic with four stellar tracks that are better than most subsequent Burma album tracks. The one Conley/Miller collaboration is the one just OK track on the album. They must have felt that way too as, almost 30 years later, there has not been another songwriting collaboration between the two.
Alice In Chains
Jar Of Flies
Produced by Alice In Chains
Columbia Records, 1994
I hope when historically, when we look back at the Seattle scene in the 1990's, Alice In Chains will get their just due. There are doomed to never be revered like Nirvana because Kurt Cobain died before he could make any mediocre music. Pearl Jam are the goodwill ambassadors of Seattle just because they tour endlessly and battle billion dollar ticket corporations. They haven't actually made any worthwhile music since 1995. AIC also flamed out too early due to the overdose of lead singer Layne Staley. But they did have one spectacular album, Dirt, and this beautiful left turn follow-up. Jar solidified Jerry Cantrell's place as one of rock's most gifted songwriters and Alice In Chains as versatile force to be reckoned with.
Godspeed You! Black Emperor
Slow Riot For New Zerø Kanada
Recorded and mixed by Dale Morningstar
Constellation Records, 1999
For only 2 songs, this EP runs over 27 minutes and has some strange backstory. The first song is named for guitarist Mike Moya, who left the group prior to the release. The second features the band putting their exquisite instrumental accompaniment to the raving poetry of a street performer going by the name Blaise Bailey Finnegan III, thus "BBF3,". What the band didn't realize at the time was that passages of Finnegan's poetry were taken directly from the Iron Maiden single, "Virus,", co-written by one Blaze Bayley, the ill-received, ill-voiced, and short-lived third singer for Maiden. That aside, Godspeed were never known for lyrics since they never wrote any, and the music was wonderful.
Black Flag
Nervous Breakdown
Produced by David Tarling & Black Flag
SST Records, 1978
The 4 best songs from Black Flag may have been their first 4. Now, I like Henry Rollins (see later in list) but even I can't deny that Keith Morris was the best frontman to carry the Flag. The title track was the blueprint for hardcore. Self-isolation? Check. Threat of violence? Check. Short, raw and concise. It may sound bad but Greg Ginn's guitar playing was much better when he wasn't so ambitious.
Minor Threat
In My Eyes
Engineered by Don Zientara
Dischord Records, 1981
The second hardcore entry on this list and it was a tough one. I was going to have the original Minor Threat EP because there were 7 great songs compared to In My Eyes' 4 songs. In the end, though, the title track was too much to ignore here. "In My Eyes," was the longest MT song to date and it had an MC5 feel to it complete with *gasp* tempo changes. "Guilty Of Being White," is a classic anthem of reverse racism. Both songs were eventually covered by much more financially successful bands. Rage Against The Machine's "In My Eyes," is perhaps even more emotionally charged than the original but Slayer's "Guilty Of Being Right," was a miscalculation. EP ends with a raucous version of "(I'm Not Your) Steppin' Stone,".
Lacuna Coil
Lacuna Coil
Produced by Waldemar Sorychta
Century Media Records, 1998
This EP is basically the cause for all the horrendous "metal" bands that are fronted by women like Evanescence and Flyleaf. Where those bands failed is that Cristina Scabbia has a mystique to her voice and there is something that European and unable to be quantified about the band. "Falling," is an amazing song. Sorychta's production was key to the band's development as well. As the band moved onto American producers and were influenced more by American bands, the more they started to sound like the terrible bands they spawned. But the sparseness of the arrangements here works well for these songs.
Henrietta Collins and The Wifebeating Childhaters
Drive By Shooting
Produced by Norm Clout
Texas Hotel Records, 1987
This is a humorous, tongue-in-cheek release from Henry Rollins with future Rollins Band guitarist Chris Haskett. It starts with the surf rock title track about exactly what you would think. Following that is a positively stellar cover of Wire's "Ex-Lion Tamer," that actually improves on the original (even if the lyrics are wrong, what are they anyway?). What follows are the hard rock version of a knock knock joke, a strange tale of a widow and tools, a mutilation of "We Will Rock You", the mock recording of a sex act, and a nice uptempo instrumental number. I wish Rollins' music could reclaim some of this humor.
Bad Brains
Omega Sessions
Recorded and mixed by Billy Brady
Victory Records, 1997
Recorded in 1980, Omega Sessions are little more than demos but are somehow the definitive versions of the classics "I Against I", "At The Movies", and "Attitude,". These songs had all been recorded several times with different tempos and pitches. It is a shame that the band didn't make more formal recordings of these versions.
Your turn. Any suggestions?
Misfits
Bullet
Engineered by Dave Achelis
Plan 9 Records, 1978
The second Misfits release and first to establish the horror punk asthetic they are now known for. With the title track's brutal depiction of the aftermath of JFK's assassination and the chorus to "Attitude", it would be hard not to consider Glenn Danzig a male chauvinist. "We Are 138," is a violent call-to-arms and "Hollywood Babylon," is the first classic to delve into Danzig's fascination with the town. The four tracks were later released on the amazing Static Age comp.
Nine Inch Nails
Broken
Produced by Trent Reznor with Flood
Nothing/TVT Records, 1992
Broken is the most industrial Nine Inch Nails release. The guitars are front and center this time, as is the anger. Like other Reznor penned projects, this one is filled with dejected disenchantment. "Wish," and "Last," are the most aggressively excellent 1-2 punch in the NIN catalog, followed closely two tracks later by "Happiness In Slavery," and "Gave Up,". The two "hidden" covers are also gems. "Physical," can make you believe that Adam Ant was capable of great things and "Suck," would go on to be a live staple.
Mission Of Burma
Signals, Calls, And Marches
Produced by Richard W. Harte
Ace Of Hearts Records, 1981
No EP starts off with a better song than "That's When I Reach For My Revolver,". I have always been a greater fan of Clint Conley songs than Roger Miller songs and "Revolver," is the only Conley contribution on Signals and it outshines every other track. To be fair, Miller followed up that classic with four stellar tracks that are better than most subsequent Burma album tracks. The one Conley/Miller collaboration is the one just OK track on the album. They must have felt that way too as, almost 30 years later, there has not been another songwriting collaboration between the two.
Alice In Chains
Jar Of Flies
Produced by Alice In Chains
Columbia Records, 1994
I hope when historically, when we look back at the Seattle scene in the 1990's, Alice In Chains will get their just due. There are doomed to never be revered like Nirvana because Kurt Cobain died before he could make any mediocre music. Pearl Jam are the goodwill ambassadors of Seattle just because they tour endlessly and battle billion dollar ticket corporations. They haven't actually made any worthwhile music since 1995. AIC also flamed out too early due to the overdose of lead singer Layne Staley. But they did have one spectacular album, Dirt, and this beautiful left turn follow-up. Jar solidified Jerry Cantrell's place as one of rock's most gifted songwriters and Alice In Chains as versatile force to be reckoned with.
Godspeed You! Black Emperor
Slow Riot For New Zerø Kanada
Recorded and mixed by Dale Morningstar
Constellation Records, 1999
For only 2 songs, this EP runs over 27 minutes and has some strange backstory. The first song is named for guitarist Mike Moya, who left the group prior to the release. The second features the band putting their exquisite instrumental accompaniment to the raving poetry of a street performer going by the name Blaise Bailey Finnegan III, thus "BBF3,". What the band didn't realize at the time was that passages of Finnegan's poetry were taken directly from the Iron Maiden single, "Virus,", co-written by one Blaze Bayley, the ill-received, ill-voiced, and short-lived third singer for Maiden. That aside, Godspeed were never known for lyrics since they never wrote any, and the music was wonderful.
Black Flag
Nervous Breakdown
Produced by David Tarling & Black Flag
SST Records, 1978
The 4 best songs from Black Flag may have been their first 4. Now, I like Henry Rollins (see later in list) but even I can't deny that Keith Morris was the best frontman to carry the Flag. The title track was the blueprint for hardcore. Self-isolation? Check. Threat of violence? Check. Short, raw and concise. It may sound bad but Greg Ginn's guitar playing was much better when he wasn't so ambitious.
Minor Threat
In My Eyes
Engineered by Don Zientara
Dischord Records, 1981
The second hardcore entry on this list and it was a tough one. I was going to have the original Minor Threat EP because there were 7 great songs compared to In My Eyes' 4 songs. In the end, though, the title track was too much to ignore here. "In My Eyes," was the longest MT song to date and it had an MC5 feel to it complete with *gasp* tempo changes. "Guilty Of Being White," is a classic anthem of reverse racism. Both songs were eventually covered by much more financially successful bands. Rage Against The Machine's "In My Eyes," is perhaps even more emotionally charged than the original but Slayer's "Guilty Of Being Right," was a miscalculation. EP ends with a raucous version of "(I'm Not Your) Steppin' Stone,".
Lacuna Coil
Lacuna Coil
Produced by Waldemar Sorychta
Century Media Records, 1998
This EP is basically the cause for all the horrendous "metal" bands that are fronted by women like Evanescence and Flyleaf. Where those bands failed is that Cristina Scabbia has a mystique to her voice and there is something that European and unable to be quantified about the band. "Falling," is an amazing song. Sorychta's production was key to the band's development as well. As the band moved onto American producers and were influenced more by American bands, the more they started to sound like the terrible bands they spawned. But the sparseness of the arrangements here works well for these songs.
Henrietta Collins and The Wifebeating Childhaters
Drive By Shooting
Produced by Norm Clout
Texas Hotel Records, 1987
This is a humorous, tongue-in-cheek release from Henry Rollins with future Rollins Band guitarist Chris Haskett. It starts with the surf rock title track about exactly what you would think. Following that is a positively stellar cover of Wire's "Ex-Lion Tamer," that actually improves on the original (even if the lyrics are wrong, what are they anyway?). What follows are the hard rock version of a knock knock joke, a strange tale of a widow and tools, a mutilation of "We Will Rock You", the mock recording of a sex act, and a nice uptempo instrumental number. I wish Rollins' music could reclaim some of this humor.
Bad Brains
Omega Sessions
Recorded and mixed by Billy Brady
Victory Records, 1997
Recorded in 1980, Omega Sessions are little more than demos but are somehow the definitive versions of the classics "I Against I", "At The Movies", and "Attitude,". These songs had all been recorded several times with different tempos and pitches. It is a shame that the band didn't make more formal recordings of these versions.
Your turn. Any suggestions?
Thursday, July 01, 2010
Albums I Didn't Have Time to Write Full Reviews Of Part 6
Janelle Monáe
The Archandroid
Wonderland Arts Society/Bad Boy Records
2xLP/CD
I wish I had heard this earlier as it is as fresh-sounding an album as I have heard in ages. There are Michael Jackson elements but put through a Beyoncé filter. At least 3 future classic tracks here. Fantastic.
Overall Grade = 8.36
Devo
Something For Everybody
Warner Bros. Records
LP+CD/CD
Leave it to Devo to make an album that is dancier and more timely than any of their previous efforts. They were always ahead of the curve as far as their sonic landscape but this album fits this era creating the impression that pop culture has caught up these New Wavers. Strangely enough, it is their most club-ready track that I enjoy the best.
Overall Grade = 7.43
Stone Temple Pilots
Stone Temple Pilots
Atlantic Records
LP/CD
Admittedly, this is an album that I kind of avoided listening to. It was not nearly as wretched as I thought it would be. This is a fairly solid effort. Would have higher marks if not for a couple of less than mediocre tracks.
Overall Grade = 7.4
LCD Soundsystem
This Is Happening
DFA/Virgin Records
LP/CD
Let me start off by saying LCD Soundsystem is never playing in my house...my house. That being said, "I Can Change," is now in heavy rotation. Too bad nothing else on the album is.
Overall Grade = 6.8
The Archandroid
Wonderland Arts Society/Bad Boy Records
2xLP/CD
I wish I had heard this earlier as it is as fresh-sounding an album as I have heard in ages. There are Michael Jackson elements but put through a Beyoncé filter. At least 3 future classic tracks here. Fantastic.
Overall Grade = 8.36
Devo
Something For Everybody
Warner Bros. Records
LP+CD/CD
Leave it to Devo to make an album that is dancier and more timely than any of their previous efforts. They were always ahead of the curve as far as their sonic landscape but this album fits this era creating the impression that pop culture has caught up these New Wavers. Strangely enough, it is their most club-ready track that I enjoy the best.
Overall Grade = 7.43
Stone Temple Pilots
Stone Temple Pilots
Atlantic Records
LP/CD
Admittedly, this is an album that I kind of avoided listening to. It was not nearly as wretched as I thought it would be. This is a fairly solid effort. Would have higher marks if not for a couple of less than mediocre tracks.
Overall Grade = 7.4
LCD Soundsystem
This Is Happening
DFA/Virgin Records
LP/CD
Let me start off by saying LCD Soundsystem is never playing in my house...my house. That being said, "I Can Change," is now in heavy rotation. Too bad nothing else on the album is.
Overall Grade = 6.8
Labels:
Janelle Monáe,
LCD Soundsystem,
Stone Temple Pilots
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